項目名稱：“超軸線”公共藝術燈光照明工程

　　此項目為2019阿拉丁神燈獎工程類參評項目

　　申報單位：野城建筑事務所 Wild City Factory　

　　項目地址：南京青奧廣場　 Nanjing Youth Olympic Plaza

　　設計單位：　野城建筑事務所 Wild City Factory

　　施工單位：蘇展南京環境藝術工程有限公司

　　業主單位：南京市建鄴區城市管理局

　　項目簡介

　　“超軸線”動態燈光藝術裝置是旅法建筑師野城為南京首屆青奧藝術燈會打造的超尺度公共藝術燈光裝置作品。這件作品在城市歷史和城市空間上進行雙重構思，深入挖掘青奧軸線的歷史意義和時代特征，形成了一條貫穿青奧廣場的超長動態燈光藝術裝置。這件作品也將成為河西建鄴“城市客廳”理念的開創性城市公共藝術作品。

As a super-scaled public art lighting instrument designed by Ye Cheng, an architect studied and worked in France once, for the first Nanjing Youth Olympic Lighting Art Festival, the Super Axis dynamic art lighting instrument takes shape such an over length instrument through the Youth Olympic Square with dual conception both on urban history and urban space, and with the deep consideration on the historical magnificence and contemporary characteristics of the Youth Olympic axis. It shall also be the groundbreaking urban public artistic works with the urban parlor idea of Jiangye district, Hexi area.

青奧廣場的水平超軸線與青奧中心雙塔樓的垂直軸線遙相呼應，相得益彰。整個燈光設計充分考慮了青奧文脈和場域在地性，充滿活力和現代感，并與青奧歷史文脈和城市環境融為一體。 超軸線更與青奧地標九駿馬雕塑進行對話，傳統雕塑和現代燈光裝置共同建構了一組新作品。這條超長的燈光裝置貫穿380米長的草坪，猶如九駿馬奔騰拖曳出的彩帶，幻化成“光”的時代征程。涌動起伏的燈帶富有韻律美感，將“劃時代”這樣的宏大主題，以一種詩意和未來感的方式簡單而又輕松地呈現出來。

The horizontal Super Axis of the Youth Olympic Square echoes with the vertical axis of the Youth Olympic Center twin towers of at a distance, making the contrast and complement with each other. It is fully considered on the whole lighting design to the cultural context and site locality with vitality and sense of modernity, and inosculation of the Youth Olympic historical context and urban environment as a whole. There is dialogue between the Super Axis and the Youth Olympic landmark, the 9 fine horses statue, and the traditional statue and modern lighting instrument make up a new set of works. Like the colored belts dragged out by the 9 running fine horses through the lawn of 380 meters long, this particularly long lighting instrument miraculously transforms into the modern journey of light. With the rhythm beauty up and down, it represents the epochal master themes in a way of poetic and future sense with simplicity and ease.

這條超長燈光裝置由2000根高低起伏的燈桿組成，如兩條有韻律的彩帶延綿開來，長約333.333......米。設計長度選用“3”這個數字來自于“三生萬物”的中國傳統哲學。以3為單元的無窮數寓意燈光彩帶如時間長河，延綿不絕，穿越古今，涌向未來。

Constituted by 2000 lampposts high and low, and extended as 2 rhythmical colored belts as long as 333.333..... meters, this extra long lighting instrument takes the number 3 from Chinese traditional philosophy of All Things Begot from 3, and the infinite number in unit of 3 means the lighting colored belts running to the future through ancient and modern times, lingering in the long river of time.

這是一條城市空間的智慧照明系統，這更是一場科技與藝術融合的城市公共空間藝術亮化的實驗。整個燈光裝置由程序控制動態LED燈光，形成各種絢爛的色彩變幻效果，進行彈鋼琴跳躍式的燈光游戲，還可以每半個小時進行一次酷炫的燈光秀準點報時。兩條平行燈帶高低錯落，明暗相交，層疊錯落，猶如一條發光的科幻山水長卷。

This is an experiment of the artistic lighting for urban public space combined by technology and art as well as the intelligent lighting system of urban space. With program controlled dynamic LED lighting, the whole lighting instrument could show the skipping lighting game like playing piano with various gorgeous color changing effect, and strike the correct time with cool lighting by every half an hour on time. The parallel lighting belts intersects in high and low, and in light and shade, with different levels as a flaring landscape scroll of science-fiction.

　　照明技術指標

廣場草坪尺寸：長380米，寬24米

Size of the square lawn: 380 meters long，24 meters wide

燈帶方陣尺寸：長333.333......米， 寬5米，高約1至4米

Size of the light belt matrix: 333.333 meters long，5 meters wide and about 1-4 meters high

兩根燈桿軸心間距：33.333......厘米

Distance between the axes of the 2 lampposts: 33.333...... centimeters

燈桿條數：2000根

Amount of lampposts: 2000

燈帶條數：4000條 （雙面溶光LED燈帶）

Amount of light belts: 4000 （2-sided LED light dissolving belts）

燈帶總長度：4000米

Total length of light belts: 4000 meters

　　節能措施及效果

作為城市公共空間，綠島，廣場，公園，道路，高速路，機場，江河堤岸等不同空間的公共藝術照明裝置，提升城市環境的藝術感和未來感。

亦可在大型展演活動中作為大型燈光藝術作品，進行整場藝術氣氛的烘可托。

This public art lighting fixtures in different spaces such as urban public spaces, green islands, plazas, parks, roads, highways, airports, river embankments, etc., enhance the artistic sense and futuristic of the urban environment. It can also be used as a large-scale lighting art work in lighting exhibitions to carry out the whole artistic atmosphere.

　　照明設計創新點

智慧燈桿：采用LED溶光燈條，配合參數化編程控制2000跟燈桿，燈桿形成起伏的燈桿超長屏幕，實現數十種不同的動態燈光組合變化效果。燈桿也可以自由組合成不同形狀，可以是線性超長排列，也可以是圓環排列，或者其他任意圖案。編程的動態效果也會根據不同的組合圖案進行專門設計。

Smart light pole: LED light strip, with parameterized programming to control 2000 with the light pole, the light pole forms an undulating long pole of the light pole, achieving dozens of different dynamic lighting combination changes. The light poles can also be freely combined into different shapes, which can be linear super long arrays, circular rings, or any other pattern. The dynamic effects of programming are also specifically designed for different combinations of patterns.

　　項目實際運行評價

實景短片視頻地址：

http://player.youku.com/player.php/sid/XNDExMTE3NjI0OA==/v.swf

https://v.youku.com/v_show/id_XNDExMTE3NjI0OA==.html?spm=a2hzp.8244740.0.0

申報單位

野城

旅法建筑師，策展人，詩人，藝術家，評論家，未來學家

野城建筑事務所（Wild City Factory)創始人/主持建筑師

野城畢業于南京大學地球科學系，赴法考入巴黎建筑專業學院（ESA），畢業作品獲ESA年度大獎。他先后在多家國際前沿建筑事務所工作，曾任巴黎國立高等裝飾藝術學院（ENSAD)研究員，法國藝術家協會會員。他是首位獲得法蘭西學院藝術院士院（Académie des Beaux-Arts, Institut de france）“青年藝術家獎”的中國人。

作為近年來活躍于國內外的年輕一代建筑師策展人，野城從他豐富的創作實踐和參展經驗中摸索出一套與眾不同的策展思路，力圖打破建筑、藝術與設計的界限，并以跨學科、跨疆域的展覽比較學方法進行策展工作。同時野城的建筑師身份更讓展覽的空間設計與策展思路無縫對接，最大限度地表現展覽意圖和貫徹展覽內容。野城曾于2014年中法建交50周年協助文化部在法國里昂舉辦中國當代建筑展，并作為同年里昂Dock Art Fair攝影年展中國單元的聯合策展人。2015年作為北京國際設計周主場策展人進行跨界策展。為紀念托馬斯·莫爾發表《烏托邦》500周年，2016年野城在上海喜瑪拉雅美術館策劃了以年輕建筑師藝術家為主的“重構烏托邦”未來城市建筑展。2018年他在深圳華美術館策劃了由中國最有代表性的建筑師和藝術家參展的“重構烏托邦”建筑藝術大展。此外他還與國內外展覽機構合作進行獨立策展和學術研究。

2009年開始，野城致力于推廣他的“生態烏托邦“（ECOTOPIA）城市理論，主張“農村反攻城市”，把生態農業引入城市內部，重組現有的生產關系和消費關系，并原創性地提出“城市農民”和“城市農業集體所有制”的公民化社會構想。

2003年以來，野城的百余首詩歌作品發表于《北京文學》《詩選刊》《新詩刊》《綠風》《海峽》《伯樂》《天南文學雙月刊》等文學刊物。數十篇建筑、藝術、設計、電影等領域的評論文章發表于《時代建筑》《建筑創作》《城市空間 設計》《UED》《Abitare》《世界建筑導報》《藝術新聞》《中國藝術時空》《周末畫報》《外灘畫報》《知日》等期刊及《看不見的城市 “深雙”十年研究》《城市山水》等文集。野城更探索用建筑小說的形式去闡述他腦洞大開的城市建筑未來學理念。

他在2014年提出“超景觀”（Hyper Landscape）未來城市形態，并用于浮流城（Flow City）的生態城市設計。他的“蟲洞城市”理論提出“擁散文化”“閑散空間”的概念，這是對庫哈斯的大都會”擁擠文化“的瓦解，并對下一個時代的城市空間和社會形態提出詩意構想。

近年來，烏托邦城市建筑發展史是野城研究的主要課題。他以重構烏托邦為線索梳理全球近幾十年的發展，對高速城市化的過去和科技壟斷的未來進行全新角度的梳理和批判，期望借“重構烏托邦”和城市建筑未來學的探索找到一條通往人類更高文明態的道路。

Ye Cheng

France-based architect,curator,poet,artist, critic，futurist

Founder/Chief Architect of Wild City Factory

YE Cheng, graduated from Department of Earth Sciences, Nanjing University. And later he went to Ecole Spéciale dArchitecture (ESA) in Paris. His graduation works won the ESA best diploma award. He worked in several cutting-edge achitectural offices and served as a researcher of Ecole nationale supérieure des Arts Décoratifs (EnsAD) in Paris. He is also the first among Chinese that won the Award for Young Artists by Académie des Beaux-Arts of LInstitut de France.

Emerging as one of the young architects and curators active nationally and internationally, Ye Cheng has developed his unique curation concept through his rich experience in creation activities and shows he partic.